‘Gray Man’ Production Designer Combined Different Locations for Rooftop Chase

Oscar-profitable production designer Dennis Gassner had one particular suggestion when functioning with brothers Anthony and Joe Russo on the set of their most recent movie, “The Gray Guy,” out now in theaters: “Let’s do this like a James Bond film and ‘Blade Runner 2049,’ throw it in a blender and we’ll make it operate.”

The espionage thriller follows 6, aka the Gray Man, a tremendous-key federal government assassin performed by Ryan Gosling who finds himself on the run from a sadistic mercenary (Chris Evans). Like the Grey Person, who life in the shadows, so do Gassner’s set tricks.

The world manhunt for Six intended the Russos had prepared to shoot “around the earth,” but with the pandemic closing borders, that wasn’t possible. A blend of sets and exterior shoots in destinations including Prague, Azerbaijan and France enabled Gassner to piece together his world.

The nightclub scene that opens the movie and the CIA business office in Berlin ended up just two of the sets Gassner created on levels. One of his favorites was a flat in the legendary Hundertwasserhaus apartment in Vienna.

Shortly right after likely on the run, Six requires a passport and a code. He visits an aged mate who can supposedly aid. Even though scouting, Gassner was drawn to the Hundertwasserhaus. “It experienced this pretty avant-garde, Gaudí-esque feel to it, and I fell in adore with it,” he says. “It experienced to be in the motion picture.”

Gassner built the inside of the condominium on a soundstage, including the trapdoor that Six falls by means of, landing in a claustrophobic brick area. “The exciting aspect was figuring out the mechanics of it,” he describes.

A rooftop chase scene was assembled from numerous areas, which includes a place in Prague. “If you went to check out it, you wouldn’t come across it,” he teases.

Gassner compares matching the sets and locations with conducting musicians. “I did all the idea artwork, and it was like orchestrating all more than the planet,” he says. “We created it do the job.”

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